He thrives in interdisciplinary collaborative environments.
As a performer, he has collaborated with Tino Sehgal, Anton Lachky, Needcompany, and, more recently, with HODWORKS and Imre Vass (HU). Between 2020 and 2021, he worked closely with The Symptoms (HU) as a creative co-director.
He’s a founding member of Under500 Festival, where he took on co-organizer-programmer-performer roles in the first four iteration of the festival.
As a creator, he strives to develop bold works that accept and acclaim dance per se. His work places the moving, (self)conscious body at the center, exploring touch-based practices derived from a post-contact improvisation perspective. Through auto-somatic nonfiction, he navigates towards researching new methodologies of dance improvisation.
Currently, he is invested in understanding the body as a vehicle for transformation. Informed by medieval alchemical practices, his research process mortar & pestle investigates the transmutative capacities of the body on both a material and immaterial level; whereas his previous, yet ongoing topic-stream neurocracy indulges into the poetic interpretations of dance – propelling the fictious towards the physical.
After concluding the tour of his piece Cryptic Bodies, he is currently preparing his new creation, [jaws], which explores ecstasy and supreme beauty through the notion of “jaw-dropping”—both in a literal and metaphorical sense. He also collaborates with Imre Vass on constant climax, a durational choreographic research into sustained intensity and the erotic, sensual perception of time.
in Sterquilinis Invenitur